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Jacob Fred Jazz Odyssey - 'Worker'

J.D. Swerzenski
Staff Writer
j.d.swerzenski[at]trinity.edu

Full disclosure, I unabashedly loved The Jacob Fred Jazz Odyssey’s last record, 2012’s Race Riot Suite. That release, which saw the four-piece trace the history of the 1921 Tulsa Race Riots over a 70-minute, carefully arranged musical time-capsule, was as bold as statement as they came in jazz that year, especially coming from a 20-year veteran band so often tagged as a jam band.

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The Line-Up for 24 October 2014

Anthony Dean-Harris
Editor-in-Chief
anthony.deanharris@nextbop.com / @i_ADH

I wanted to change things up this week and play as much new music as possible. I wanted to play music that was all added to the library this day. I wanted to delve into some things I never played before. I reached out a little more than usual, variety-wise, and I think it may have paid off.

The Line-Up for 24 October 2014

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More Kinds of Blue

Ben Gray
Staff Writer
bengray417@gmail.com

The new album from Mostly Other People Do the Killing, Blue, has been getting lots of press (and this fantastic review). In case you’ve missed this album, it’s a note-for-note remake of Miles Davis’ Kind of Blue with a relationship to jazz that is akin to Keith Jarrett playing Bach. Think what you will of the album, but perhaps Ethan Iverson summed it up best - "The importance of Miles Davis, John Coltrane, and the rest of the cast of Kind of Blue is hardly confined to jazz. To declare that they not be allowed to be part of a deconstructed or conceptual undertaking might inadvertently suggest they are not "worthy" of arty mischief. Of course they are worthy! They are Gods, nothing is going to harm them". Whatever your opinion of the MOPDtK album, there should be no question that Blue is successful in pointing out just how incredible the original album is. As such I would argue that Blue functions more as conceptual art and as a tribute to Miles, John Coltrane, Cannonball Adderley, Paul Chambers, and Jimmy Cobb than as an album in itself.

It should be pointed out, though, that Kind of Blue has never been a sacred cow...

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The Process: Jon Batiste, Chad Smith, & Bill Laswell

Anthony Dean-Harris
Editor-in-Chief
anthony.deanharris@nextbop.com / @i_ADH

I've recently had the opportunity to watch pianist and multi-instrumentalist Jon Batiste perform live with his Stay Human band and it was a transformative experience, respectful of all the tropes of jazz's history but cognizant of its rethinking of performance. Batiste is an innovator in the genre and can easily avail himself to many different musical directions. The latest intriguing direction he's taken is alongside the drummer for the Red Hot Chili Peppers, Chad Smith, and legendary bassist/producer/and record label owner Bill Laswell. Together, they've made The Process on Laswell's M.O.D. Technologies label, and frankly, it's a breath of fresh air.

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The Thing - 'Viking' EP

Anthony Dean-Harris
Editor-in-Chief
anthony.deanharris@nextbop.com / @i_ADH

You need a little more skronk in your life. The mind-boggling free jazz trio The Thing (Mats Gustafsson on saxophones, Ingebrigt Håker Flaten on bass, and Paal Nilssen-Love on drums) have just released a new EP, Viking, that provides just that. The two-song EP is mastered by Bob Weston who remixed "Viking" for this EP. These compositions are just compact enough for the vibe everything to weave together in just enough time before petering out on Weston's "Viking" remix, while "Bruremarsj" is a surprisingly chill song for this group. Check out the EP from The Thing's Bandcamp after the jump.