I must preface this piece with the statement that I'm not quitting. I'll be covering the last few days of this year's Montreal Jazz Festival for the first time. I am booking at least two more shows in San Antonio, Texas, under the banner of Nextbop by the end of the year. I still intend to throw the annual Jazz for the Masses day party in Austin, Texas, during the South by SouthWest Music Festival next March. I am still the host of KRTU San Antonio's The Line-Up and still love doing that show dearly every week. I burrowed my way into this jazz world and I don't see a way for me out of it, for better or for worse. I'm not quitting. However, if anyone who pays attention to Nextbop may have noticed, it's clear our output here has been diminished over the last few years.
I like how this week's show turned out. The hype was about that evening's Robert Glasper Experiment show on campus, though his Everything's Beautiful is a total vibe. The newness of this whole hour is the vibe.
The Line-Up for 20 May 2016
Follow guitarist Horace Bray on Instagram and one often sees little sketches of ideas. Follow him for a while and one can see these little sketches come together. Bray is a technician, a recent graduate from the University of North Texas music school, and saying such thing about music school grads is pretty common these days in the jazz era. However, Bray has constantly managed to steadily grow his chops, gig about, and maintain a sense of soul in his accompaniment and particularly in his compositions. Dreamstate, Bray's long time coming debut album, best encapsulates this.
Brian Eno's 1978 album Ambient 1: Music for Airports is Capital "I" Important. It's a landmark album for what was at the time a fledgling genre, ambient. It's an album open to contemplation. It settles on the ear and has done so for almost forty years, so it's understandable that it's an album apt for reinterpretation by a certain brand of musical weirdo. Chris Schlarb is that weirdo.