The 10 Best Everybody Loves the Sunshine Covers

Welcome to our journey through the best covers of “Everybody Loves the Sunshine,” Roy Ayers Ubiquity‘s 1976 soul-jazz masterpiece. This iconic track, with its warm, sun-soaked vibe, has been a canvas for an array of artists, each bringing their own unique interpretation to this timeless classic.

In this exploration, we’ll dive into a selection of these covers, ranging from D’Angelo‘s smooth and soulful rendition to the energetic, jazz-infused live performance by Jamie Cullum. We’ll also experience the unique takes by artists like Incognito, known for their acid jazz flair, and the innovative reinterpretations by contemporary musicians like Takuya Kuroda and Kiefer, who infuse the song with modern jazz and electronic influences.

Each cover we explore is a testament to the song’s enduring appeal and versatility, highlighting how “Everybody Loves the Sunshine” has been reimagined across different genres and generations. Join us in celebrating the diverse ways this beloved song continues to shine, casting its joyful light through the world of music.

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Table of Contents

Roy Ayers Ubiquity’s “Everybody Loves the Sunshine”, Everybody Loves the Sunshine (1976)

D’Angelo‘s “Everybody Loves the Sunshine”, Voodoo Outtakes & Rehearsals (2000)

Jamie Cullum “Everybody Loves the Sunshine” (Live in Ibiza), Catching Tales (2005)

Incognito “Everybody Loves the Sunshine”, Bees+Things+Flowers (2006)

Robert Glasper Experiment feat. Bilal & Stefon Harris‘ “Everybody Loves the Sunshine”, Live Concert at Jazz à la Villette Festival (2010)

Seu Jorge and Almaz‘s “Everybody Loves the Sunshine”, Seu Jorge and Almaz (2010)

DJ Cam Quartet‘s “Everybody Loves the Sunshine” (ft. Inlove), Diggin (2013)

Takuya Kuroda‘s “Everybody Loves the Sunshine” (ft. José James), Rising Son (2014)

Gabriele Poso‘s “Everybody Loves the Sunshine”, Awakening (2018)

Kiefer‘s “Everybody Loves the Sunshine” (ft. Theo Croker), Between Days (2021)

Netsky‘s “Everybody Loves the Sunshine” (ft. Daddy Waku & Chantal Kashala), Second Nature (2021)

Roy Ayers Ubiquity’s “Everybody Loves the Sunshine”, Everybody Loves the Sunshine (1976)

In 1976, Roy Ayers Ubiquity crafted “Everybody Loves the Sunshine,” a song that became synonymous with sunny days and carefree vibes. This track, a highlight of their album with the same name, transcends music to capture the essence of a perfect summer day.

“Everybody Loves the Sunshine” stands out for its simplicity and blissful vibe. Ayers’ smooth vocals and the song’s rhythmic groove create a soothing yet uplifting atmosphere. The iconic lines, “My life, my life, my life, my life in the sunshine,” evoke a sense of serene contentment.

The track showcases Ayers’ skill as a vibraphonist and composer, blending funk and jazz to timeless effect. The unique use of synthesizers alongside the vibraphone gave it a pioneering sound, influencing various genres and artists thereafter.

More than just a song, “Everybody Loves the Sunshine” represents a mood and a feeling, resonating across generations. Its influence is evident in the numerous covers and samples it has inspired, each a tribute to its lasting beauty and appeal. As we delve into these renditions, we celebrate the original gem that is Roy Ayers Ubiquity’s “Everybody Loves the Sunshine.”

D’Angelo’s “Everybody Loves the Sunshine”, Voodoo Outtakes & Rehearsals (2000)

In 2000, D’Angelo added his neo-soul touch to “Everybody Loves the Sunshine” in his Voodoo Outtakes & Rehearsals. His version reflects a deep understanding of the original by Roy Ayers, infused with D’Angelo’s distinctive smooth vocals and rich, soulful arrangement.

D’Angelo transforms the classic into an introspective journey, emphasizing minimalism and emotion. His cover maintains the sunny essence of Ayers’ hit but introduces a contemplative, dreamlike quality. This balance of homage and innovation showcases D’Angelo’s skill as both a vocalist and an arranger, reinterpreting a familiar melody into something uniquely personal.

This rendition isn’t just a cover; it’s a fresh and deeply personal reimagining that respects Ayers’ legacy while showcasing the evolution of soul music. D’Angelo’s take on “Everybody Loves the Sunshine” stands as a perfect example of how classic tunes can be revitalized, offering new insights and bridging the past with the future of soul music.

Jamie Cullum “Everybody Loves the Sunshine” (Live in Ibiza), Catching Tales (2005)

In his 2005 album Catching Tales, Jamie Cullum, known for his vibrant blend of jazz and pop, brings a refreshing live rendition of “Everybody Loves the Sunshine” recorded in Ibiza. Cullum’s version captures the essence of Roy Ayers’ timeless classic while infusing it with his unique flair and energetic performance style.

Cullum’s interpretation is characterized by his dynamic piano playing and distinctive vocal style. His energetic approach and improvisational skills shine through in this live performance, offering a more upbeat and lively version of the song. The live setting in Ibiza adds an extra layer of spontaneity and excitement, engaging the audience and bringing a new level of vitality to the track.

This rendition stands out for its fusion of jazz improvisation with a pop sensibility. Cullum’s ability to connect with the audience and bring a sense of freshness to well-known classics is evident in this performance. His take on “Everybody Loves the Sunshine” is both a respectful nod to Ayers’ original and a showcase of his own artistic creativity.

Jamie Cullum’s live version of “Everybody Loves the Sunshine” is more than just a cover; it’s a celebration of musical freedom and expression. It exemplifies how a classic song can be reimagined in a live setting, bringing new energy and perspective to an already beloved melody. This rendition highlights the enduring appeal of Ayers’ work and Cullum’s talent in bridging genres and engaging audiences with his unique musical style.

Incognito “Everybody Loves the Sunshine”, Bees+Things+Flowers (2006)

Incognito, a band renowned for their acid jazz and funk style, brought their distinctive touch to “Everybody Loves the Sunshine” in their 2006 album, Bees+Things+Flowers. Their rendition of Roy Ayers’ classic is a fine blend of jazz-funk and soul, offering a refreshing and vibrant take on the original.

In this version, Incognito stays true to their signature sound with a rich arrangement that includes funky basslines, rhythmic grooves, and vibrant brass sections. The band’s approach brings a new level of energy and soulfulness to the song, while still capturing the relaxed and joyful essence that made Ayers’ version so iconic.

The cover stands out for its ability to fuse the laid-back, sunny vibe of the original with a more upbeat, groovy feel. Incognito’s skilled musicianship and artful arrangement create a version that is both a tribute to the classic and a celebration of contemporary jazz-funk. The band’s interpretation adds a new dimension to the song, showing how it can be transformed while keeping its core spirit intact.

Incognito’s “Everybody Loves the Sunshine” is a testament to the song’s timeless appeal and its ability to adapt and resonate in different musical contexts. This rendition not only honors Roy Ayers’ legacy but also highlights the versatility and enduring influence of the song, appealing to fans of both the original and modern jazz-funk.

Robert Glasper Experiment feat. Bilal & Stefon Harris’ “Everybody Loves the Sunshine”, Live Concert at Jazz à la Villette Festival (2010)

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At the 2010 Jazz à la Villette Festival, the Robert Glasper Experiment, featuring Bilal and Stefon Harris, offered a mesmerizing live rendition of “Everybody Loves the Sunshine.” This performance is a masterful blend of jazz, soul, and R&B elements, showcasing the talents of each artist while paying tribute to Roy Ayers’ timeless classic.

Glasper’s innovative approach to the piano, combined with Bilal’s soulful vocal delivery and Harris’ vibrant vibraphone play, transforms the song into an immersive, genre-blending experience. Their version goes beyond a mere cover; it’s an exploration of the song’s potential to meld different musical styles. The live setting adds an element of spontaneity and energy that captures the audience, making the performance not just a listening experience but an emotional journey.

This collaboration highlights the song’s adaptability and enduring appeal. The Robert Glasper Experiment, along with Bilal and Harris, brings a unique and contemporary flavor to “Everybody Loves the Sunshine,” while maintaining the original’s spirit. Their performance at the Jazz à la Villette Festival stands as a powerful example of how collaborative creativity can breathe new life into classic tunes, connecting them with new generations of music lovers.

Seu Jorge and Almaz’s “Everybody Loves the Sunshine”, Seu Jorge and Almaz (2010)

In 2010, Seu Jorge and Almaz brought their distinctive style to “Everybody Loves the Sunshine” in their self-titled album Seu Jorge and Almaz. This version stands out for its fusion of Brazilian rhythms and psychedelic rock, offering a unique and captivating interpretation of Roy Ayers’ classic.

Seu Jorge, known for his deep, velvety voice and innovative approach to music, infuses the track with a laid-back yet profound Brazilian flair. Almaz’s instrumentation complements Seu Jorge’s vocals perfectly, adding a touch of psychedelic rock that gives the song a distinctively rich and textured feel. Their approach offers a fresh perspective on the song, blending cultural influences to create a version that is both respectful to the original and boldly original in its execution.

The cover is characterized by its smooth, rhythmic groove and ambient, soulful vibe. This rendition captures the essence of Ayers’ original while introducing an array of new sonic elements, showcasing the versatility and universal appeal of the song. Seu Jorge and Almaz’s interpretation is a beautiful blend of Brazilian soul and psychedelic rock, demonstrating the power of music to transcend cultural and genre boundaries.

Seu Jorge and Almaz’s “Everybody Loves the Sunshine” is more than a mere cover; it’s a creative reimagining that pays homage to Roy Ayers while exploring new musical territories. This version is a testament to the enduring legacy of the original song, proving its ability to inspire artists from diverse backgrounds and influence a wide range of musical styles.

DJ Cam Quartet’s “Everybody Loves the Sunshine” (ft. Inlove), Diggin (2013)

DJ Cam Quartet‘s interpretation of “Everybody Loves the Sunshine,” featured in their 2013 album Diggin and highlighting vocals by Inlove, offers a unique fusion of jazz and trip-hop. This rendition transforms Roy Ayers’ classic into an ambient, groove-laden journey, showcasing the versatility of the original through a contemporary electronic lens.

In this version, DJ Cam Quartet maintains the essence of Ayers’ melody but reinterprets it with a laid-back, electronic beat. The addition of Inlove’s vocals brings a smooth and sultry dimension, complementing the quartet’s nuanced and atmospheric instrumentation. The blend of traditional jazz elements with modern trip-hop creates a hypnotic and immersive listening experience.

What sets this cover apart is its ability to balance the relaxed, sunny vibe of the original with a deeper, more introspective mood. The DJ Cam Quartet’s skillful arrangement and production choices highlight their talent for creating music that is both reflective and engaging.

DJ Cam Quartet’s “Everybody Loves the Sunshine” featuring Inlove is a testament to the enduring appeal of Ayers’ composition. It illustrates how a classic song can be reimagined in various musical styles, appealing to audiences who appreciate both the nostalgia of the original and the innovation of modern music genres. This version stands as a unique and memorable addition to the legacy of “Everybody Loves the Sunshine,” blending the old with the new in a seamless and captivating manner.

Takuya Kuroda’s “Everybody Loves the Sunshine” (ft. José James), Rising Son (2014)

In his 2014 album Rising Son, Takuya Kuroda presents a captivating rendition of “Everybody Loves the Sunshine,” featuring the smooth vocals of José James. This version stands as a remarkable fusion of jazz and soul, reinterpreting Roy Ayers’ classic with a contemporary twist.

Kuroda, known for his skillful jazz trumpet play, brings a vibrant energy to the track. His horn arrangements are both intricate and soulful, intertwining seamlessly with the rhythm section to create a dynamic soundscape. José James’ vocals add a layer of smooth, soulful depth, perfectly complementing the jazz backdrop.

The collaboration between Kuroda and James breathes new life into the original composition, transforming it into an experience that blends nostalgia with modernity. Their version maintains the warmth and uplifting spirit of Ayers’ song but introduces a distinctively fresh and rhythmic interpretation.

Takuya Kuroda’s “Everybody Loves the Sunshine” featuring José James is not just a cover, but a reimagining that pays homage to the past while confidently stepping into the future of jazz and soul. This track exemplifies the enduring influence of Ayers’ work, proving its relevance and adaptability across different genres and eras.

Gabriele Poso’s “Everybody Loves the Sunshine”, Awakening (2018)

Gabriele Poso’s rendition of “Everybody Loves the Sunshine” in his 2018 album Awakening stands as a vibrant and organic interpretation of Roy Ayers’ classic. Poso, renowned for his skill as a multi-instrumentalist and composer, infuses the track with a rich blend of world music influences and jazz undertones, offering a refreshing take on the timeless song.

In this version, Poso’s expertise in percussion and his affinity for global rhythms shine through. The track is layered with lively percussion, creating a rhythmically rich and textured soundscape. His approach brings a new level of depth and energy to Ayers’ composition, while maintaining the soulful essence that has made the original a beloved piece.

The uniqueness of this cover lies in its fusion of various musical elements. Poso seamlessly blends traditional jazz with Afro-Latin influences, showcasing his ability to transcend musical boundaries. This blend results in a version that is both respectful of the original and boldly innovative, highlighting the song’s universal message through a diverse musical lens.

Gabriele Poso’s “Everybody Loves the Sunshine” is more than a tribute; it’s a celebration of musical diversity and creativity. This rendition not only honors Roy Ayers’ legacy but also demonstrates the expansive potential of music to unite different styles and cultures. Poso’s interpretation is a compelling example of how a classic can be reimagined, bringing new flavors and textures to an already rich composition.

Kiefer’s “Everybody Loves the Sunshine” (ft. Theo Croker), Between Days (2021)

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Kiefer‘s interpretation of “Everybody Loves the Sunshine,” featuring Theo Croker, in his 2021 album Between Days, offers a fresh and modern take on Roy Ayers’ classic. This rendition is a seamless blend of contemporary jazz and electronic elements, showcasing the innovative directions in which modern musicians can take classic tunes.

Kiefer, known for his fusion of jazz and electronic music, infuses the track with a laid-back yet intricate keyboard play, setting a relaxed and introspective mood. Theo Croker’s trumpet adds an extra layer of depth, blending beautifully with the electronic elements to create a unique sonic texture. Their collaboration results in a version that’s both respectful to the original and daring in its approach.

This cover is notable for its smooth and ambient vibe, which sets it apart from more traditional renditions. Kiefer and Croker’s interpretation leans into a more introspective and nuanced exploration of the song, while still capturing the quintessential warmth and joy inherent in Ayers’ composition.

“Everybody Loves the Sunshine” by Kiefer featuring Theo Croker is a testament to the song’s versatility and timelessness. It highlights how classic tracks can be re-envisioned through the lens of contemporary music styles, appealing to a new generation of listeners while honoring the legacy of the original.

Netsky’s “Everybody Loves the Sunshine” (ft. Daddy Waku & Chantal Kashala), Second Nature (2021)

In 2021, Netsky, a prominent figure in the drum and bass genre, introduced a vibrant and energetic version of “Everybody Loves the Sunshine” on his album Second Nature. Featuring Daddy Waku and Chantal Kashala, this rendition reimagines Roy Ayers’ soulful classic in the realm of electronic dance music.

Netsky’s interpretation infuses the song with a lively, upbeat tempo characteristic of his style, significantly diverging from the laid-back vibe of the original. The inclusion of Daddy Waku and Chantal Kashala adds a new dimension to the track, with their vocal contributions bringing a fresh and lively energy. The fusion of electronic beats with soulful vocals creates a unique and compelling listening experience.

This version stands out for its ability to transform a classic soul song into a modern dance anthem. Netsky’s skillful blending of electronic rhythms with the essence of the original track demonstrates the universal appeal and adaptability of Ayers’ composition. It’s a bold, high-energy reinterpretation that captures the joy and brightness of the original while steering it into new, exciting territory.

Netsky’s “Everybody Loves the Sunshine” featuring Daddy Waku and Chantal Kashala showcases how classic songs can be reinvented for contemporary audiences, bridging genres and eras. It’s a testament to the enduring nature of Ayers’ music, proving that it can not only resonate with fans of its original genre but also inspire and energize listeners in entirely new musical landscapes.

Conclusion

As we conclude our exploration of the best covers of “Everybody Loves the Sunshine,” it’s clear that Roy Ayers‘ timeless classic has not only endured but thrived through the decades. Each artist we’ve featured has brought their unique touch to this beloved song, highlighting its universal appeal and adaptability. From D’Angelo‘s soulful rendition to Jamie Cullum‘s vibrant jazz interpretation, and from Incognito‘s funky grooves to the fresh electronic beats of modern musicians, these covers demonstrate the song’s remarkable ability to resonate across various musical landscapes.

This journey through “Everybody Loves the Sunshine” covers is a testament to the power of music to transcend time and genre. It’s a celebration of creativity and homage, where each version shines a new light on Ayers’ masterpiece, proving that great music can continually inspire and evolve. As we reflect on these diverse interpretations, we’re reminded of music’s unifying power and its ability to bring joy and brightness, much like the sunshine that Roy Ayers so melodiously encapsulated in his iconic song.

Read Other Articles in Our ‘Best Song Covers’ Series!

“Everybody Loves the Sunshine” Lyrics

My life, my life, my life, my life in the sunshine
Everybody loves the sunshine
Sunshine, everybody loves the sunshine
Sunshine, folks get down in the sunshine
Sunshine, folks get ’round in the sunshine

Just bees and things and flowers

My life, my life, my life, my life in the sunshine
Everybody loves the sunshine
Sunshine, everybody loves the sunshine
Sunshine, folks get down in the sunshine
Sunshine, folks get ’round in the sunshine

Feel, what I feel, when I feel, what I feel
When I’m feelin’, in the sunshine
Feel, what I feel, when I feel, what I feel
When I’m feelin’, in the sunshine

Do what I do, when I do, what I do
When I’m doin’, in the sunshine
Do what I do, when I do, what I do
When I’m doin’, in the sunshine

Sunshine, everybody loves the sunshine

“Everybody Loves the Sunshine” FAQ