The new album from Mostly Other People Do the Killing, Blue, has been getting lots of press (and this fantastic review). In case you’ve missed this album, it’s a note-for-note remake of Miles Davis’ Kind of Blue with a relationship to jazz that is akin to Keith Jarrett playing Bach. Think what you will of the album, but perhaps Ethan Iverson summed it up best - "The importance of Miles Davis, John Coltrane, and the rest of the cast of Kind of Blue is hardly confined to jazz. To declare that they not be allowed to be part of a deconstructed or conceptual undertaking might inadvertently suggest they are not "worthy" of arty mischief. Of course they are worthy! They are Gods, nothing is going to harm them". Whatever your opinion of the MOPDtK album, there should be no question that Blue is successful in pointing out just how incredible the original album is. As such I would argue that Blue functions more as conceptual art and as a tribute to Miles, John Coltrane, Cannonball Adderley, Paul Chambers, and Jimmy Cobb than as an album in itself.
It should be pointed out, though, that Kind of Blue has never been a sacred cow...