Miles Okazaki's compositions sound like he's creating an elaborate portrait from mosaic, octagon-shaped tiles. His style of play is dense, weaving around in his phrases with so many loops and curlicues, it's dizzying. There's a lot going on under the surface, and even the surface is still pretty busy. That his work isn't too top heavy, most particularly his latest album-- Trickster, out Friday on Pi Recordings, is quite notable. However, that such complex work can express a simple groove so compellingly, is the even larger accomplishment.