Nextbop

The Next Generation of Jazz

  • Home
  • Blog
    • Newest Posts
    • Streams & Videos
    • Reviews
    • Interviews
  • New Releases
  • Best Of Lists
    • Best of 2019
    • Best of 2018
    • Best of 2017
    • Best of 2016
    • Best of 2015
    • Best of 2014
    • Best of 2013
    • Best of 2012
    • Best of 2011
    • Best of 2010
  • Advertising Rates
  • About
  • Contact Us
Home / Blog / Reviews / Jungsu Choi Tiny Orkester – ‘Tschuss Jazz Era’

Jungsu Choi Tiny Orkester – ‘Tschuss Jazz Era’

June 19, 2018 By Brian Kiwanuka

ShareTweetSubscribe

Subscribe to our mailing list and receive our most read content directly to your inbox every month!*

* indicates required
*By subscribing, you agree to receive our monthly newsletter as well as sporadic promotional emails. Feel free to unsubscribe at any time!

As someone who has written for theater, musicals and film, Jungsu Choi is no stranger to the grand. The South Korean composer has brought together a band of twelve top class musicians – with the power of at least twice that number. Throughout Tschüss Jazz Era, his Tiny Orkester plays through five pieces that are all arranged by Choi, including two Choi originals, “Stolen Yellow” and “Nach Wien 224”.

Driven by the high energy drumming of Hyunsu Lee, “Stolen Yellow” starts the album out with a bang. The alto saxophone, played by Yusun Nam, demands the listeners attention with a rambunctious solo, which is well complemented by interesting comping from Sungyun Hong’s guitar. The Choi original is followed by a fine take of Charlie Parker’s “Anthropology” that features a duo section of soulful, swinging interplay between the flute (Eunmi Kim) and tenor saxophone (Sungil Bae). “Nach Wien 224” starts low key, with wordless vocals shadowing the guitar to form a smooth motif that is eventually elaborated on by the rest of the band. Although the beginning of the tune has great lines from the horns, it’s the beautiful bowed notes of Sehwa Kang’s cello that stand out during the more spacious moments.

Unlike “Nach Wien 224”, “What if Ellington Didn’t Take The ‘a’ Train?” does not open with subtlety. Pianist Jungmin Lee begins proceedings with a brief section of ominous, pacy playing as the guitar surrounds him with walls of warped distortion before the track swiftly morphs into more straight-ahead big band fare. The latter half of the tune has another huge shift in atmosphere, the guitar ripping through a top-notch fusion-style solo as the rest of the band combines to form strong melodic phrases behind it.

The album closes with Chick Corea’s “Spain”, where the singing of Jinho Pyo takes the spotlight. Foreboding piano notes set the stage nicely for Pyo, whose expressive vocals and great range create one of the most impressive moments of the record. “Spain” starts patiently and ends energetically, it’s a fitting conclusion for a project full of lively playing and joyous melodies. Even though Choi may not be re-writing the book on large ensemble jazz, Tschüss Jazz Era is executed in such a skillful manner that it will leave listeners anticipating whatever the bandleader dedicates his talents to next.

Tschüss Jazz Era by Jungsu Choi Tiny Orkester is out now on Challenge Records.

Personnel:

Jungsu Choi – bandleader, composer, arranger, vocals (tracks 1, 3)
Eunmi Kim – flute
Minkyu Cha – alto sax
Sungil Bae – tenor sax
Yejung Kim – trumpet
Junyeon Lee – trombone
Sehwa Kang – cello
Sungyun Hong – guitar
Jungmin Lee – piano
Joseph Han – bass
Hyunsu Lee – drums
Jinho Pyo – vocals (tracks 3, 5)
Sehyun Baik – vocal (track 4)

Filed Under: Blog, Reviews Tagged With: Challenge, Eunmi Kim, Hyunsu Lee, Jinho Pyo, Joseph Han, Jungmin Lee, Jungsu Choi, Jungsu Choi Tiny Orkester, Junyeon Lee, Minkyu Cha, Sehwa Kang, Sehyun Baik, Sungil Bae, Sungyun Hong, Tschuss Jazz Era, Yejung Kim

Follow Us


6,871
followers

9,720
followers

1,182
followers

Monthly Newsletter

Get our 5 most-read posts and a list of brand new jazz albums sent directly to your inbox every month!


Top Posts

  • Rob Shepherd Favorite Jazz Albums Decade Rob Shepherd’s Favorite Jazz Albums of the Decade
  • Best Jazz Albums 2019 Nextbop’s Best Jazz Albums of 2019
  • Nardis: A Critical Analysis of Covers
  • The Pitchfork of Jazz
  • Binker and Moses – ‘Alive in the East?’ (Album Review)

Tags

Aaron Parks A Critical Analysis of Covers BADBADNOTGOOD Ben Wendel Ben Williams Biophilia Blue Note Brad Mehldau Brainfeeder Braxton Cook Christian Scott aTunde Adjuah Colin Stranahan Concord Corey Fonville Derrick Hodge ECM Edition Gerald Clayton Gilad Hekselman Greenleaf International Anthem Ivo Neame Jason Lindner Kassa Overall Kendrick Scott Lawrence Fields Linda May Han Oh Makaya McCraven Mark Guiliana Matthew Stevens Motéma Nate Wood Nonesuch Phronesis Pi Robert Glasper Ropeadope Sarah Elizabeth Charles Stephan Crump Stones Throw Sunnyside Taylor Eigsti Thundercat Vijay Iyer Whirlwind
© 2021 Nextbop. All rights reserved.
Use of any portion of this site constitutes acceptance of our Privacy Policy.