Nextbop

The Next Generation of Jazz

  • Home
  • Blog
    • Newest Posts
    • Streams & Videos
    • Reviews
    • Interviews
  • New Releases
  • Best Of Lists
    • Best of 2019
    • Best of 2018
    • Best of 2017
    • Best of 2016
    • Best of 2015
    • Best of 2014
    • Best of 2013
    • Best of 2012
    • Best of 2011
    • Best of 2010
  • Advertising Rates
  • About
  • Contact Us
Home / Blog / Reviews / For Your Consideration: Thundercat’s ‘Apocalypse’

For Your Consideration: Thundercat’s ‘Apocalypse’

May 30, 2013 By Anthony Dean-Harris

ShareTweetSubscribe

Subscribe to our mailing list and receive our most read content directly to your inbox every month!*

* indicates required
*By subscribing, you agree to receive our monthly newsletter as well as sporadic promotional emails. Feel free to unsubscribe at any time!

It’s been two years since bassist Stephen “Thundercat” Bruner released his debut album on Steve “Flying Lotus” Ellison’s indie label Brainfeeder, The Golden Age of Apocalypse. In that time, Thundercat’s star has continued to rise, continuing his work alongside FlyLo, Erykah Badu, Suicidal Tendencies, Snoop Dogg (before the Snoop Lion transition), among others. His artistic voice has been more clearly defined. He’s receiving more due props for being the self-proclaimed (though very well merited title) “bass god”. Now, on the eve of his new album, Apocalypse, an album birthed from evolution as much as from the pain of loss, that we can see where Thundercat is going next.

Apocalypse is more refined thematically, though only somewhat. It’s clear that the passing of virtuoso pianist Austin Peralta, a very close friend of Thundercat’s, has cast a shadow over the album. Much like how Peralta’s passing makes it impossible to think about the burgeoning career that had yet to blossom, it also makes one wonder what Apocalypse would have been had he been around to work with his brother in Jondy-love on Bruner’s sophomore album. Clearly he would have had an absolute blast on songs like “Seven”, named for its complex 7/4 time, or jamming the fuck out on “Lotus and the Jondy” alongside drummer Thomas Pridgen (The Mars Volta, Christian Scott, his own band The Memorials), likely the best track on the album. To an extent, his presence is still felt in the album closer in tribute to him, “A Message for Austin / Praise the Lord / Enter the Void”. It’s tracks like this and the penultimate “We’ll Die” or even the lead single “Heartbreaks + Setbacks” that bring home the idea that Bruner has certainly gone through a lot in the last year that has continually formed him as an artist and as a person who has generally experienced some pain in life. There’s more to him than his cat, even though there’s a song about that, too. Moreso than the debut, Apocalypse is an album about range, and more than one would have expected.

However, this album has more of an 90s R&B feel to it than its predecessor. This is understandable considering The Golden Age of Apocalypse was always rather difficult to pin down genre-wise. Even Nextbop’s own claim that it’s a jazz album is more along the lines of our championing of music on the fringe of the genre than a set in stone description of its sound indiscernable terms, but with vocals playing a larger role on this album, it’s not too large of a mental leap to the early works of Johnny Gill or others of that period. It’s this slant that makes the album, generally, to lack the jam feel past work had before. While Apocalype is more focused aurally and thematically than TGAoA, it’s also often tonally darker. The intermingling of the sweet and sour is certainly apparent, but the memory of the sour lingers much more than that sweet. This doesn’t diminish in one’s desire to listen to Apocalypse on repeat as much as humanly possible. However, you’ll be awash in a range of emotions much more than some mere party. No one ever said getting through the apocalypse would be easy.

Catch the stream of Apocalypse this week at NPR’s First Listen and buy the album at iTunes.

Anthony Dean-Harris

Nextbop Editor-in-Chief Anthony Dean-Harris hosts the modern jazz radio show, The Line-Up, Fridays at 9pm CST on 91.7 FM KRTU San Antonio and is also a contributing writer to DownBeat Magazine and the San Antonio Current.

Liked the post? Take a second to support Nextbop on Patreon!

Filed Under: Blog, Reviews Tagged With: Apocalypse, Thundercat

Follow Us


6,871
followers

9,720
followers

1,182
followers

Monthly Newsletter

Get our 5 most-read posts and a list of brand new jazz albums sent directly to your inbox every month!


Support Nextbop on Patreon

Top Posts

  • Rob Shepherd Favorite Jazz Albums Decade Rob Shepherd’s Favorite Jazz Albums of the Decade
  • Best Jazz Albums 2019 Nextbop’s Best Jazz Albums of 2019
  • Nardis: A Critical Analysis of Covers
  • The Pitchfork of Jazz
  • Binker and Moses – ‘Alive in the East?’ (Album Review)

Tags

Aaron Parks A Critical Analysis of Covers BADBADNOTGOOD Ben Wendel Ben Williams Biophilia Blue Note Brad Mehldau Brainfeeder Braxton Cook Christian Scott aTunde Adjuah Concord Corey Fonville Derrick Hodge ECM Edition Gerald Clayton Gilad Hekselman Greenleaf International Anthem Jason Lindner Joel Ross Justin Brown Kassa Overall Kendrick Scott Lawrence Fields Linda May Han Oh Makaya McCraven Mark Guiliana Matthew Stevens Motéma Nate Wood Nonesuch Phronesis Pi Robert Glasper Ropeadope Sarah Elizabeth Charles Stephan Crump Stretch Music Sunnyside Taylor Eigsti Thundercat Vijay Iyer Whirlwind
© 2021 Nextbop. All rights reserved.
Use of any portion of this site constitutes acceptance of our Privacy Policy.