There's a fullness in ten years. A lot of work, if rather relentlessly done, can really make a discernible impact. Ten years ago, folks were making all the talk as rather cyclically that jazz was dead. It was such an exhausting conversation. Folks were around making this music, obviously. It couldn't be that dead. The problem was in the awareness and the tweaking of the … [Read more...]
Makaya McCraven Performs at the 2019 Montreal International Jazz Festival
Drummer Makaya McCraven is the only musician to receive Nextbop’s Album of the Year on two separate occasions, first in 2015 for his sophomore effort In the Moment then again in 2018 for the highly praised Universal Beings. An exploit made the more remarkable considering the honor has only been awarded a total of nine times since our 2009 launch. On June 30th, McCraven, amidst a … [Read more...]
Our Top Picks at the 2019 Montreal International Jazz Festival
The Montreal International Jazz Festival kicks off its 40th edition this week, starting June 26th, with a line-up sure to delight the most diverse of musical tastes. Often jazz festivals can be criticized for not showcasing enough jazz per se, but this year’s Montreal edition is particularly fruitful and ripe with a great selection of actual jazz artists. We’ve highlighted a few … [Read more...]
Nextbop’s Favorite Jazz Albums of 2015
I'm not quite sure what more I could say here about jazz in 2015. There may not have been some overarching narrative that guided how art was made and released. Some folks who have worked together for years finally released an album that said so. Some folks released large ensemble albums that made huge splashes, as sprawling debuts, par for the course, or as the muscular … [Read more...]
Anthony Dean-Harris’ Favorite Jazz Albums of 2015
I've been thinking more and more about rotation lately, about the boundary that music must get through in order to find its way into my phone where I listen to everything primarily, the phone an extension of myself like these devices are for us all for better and for worse. I eschew the predatory Spotify and rather connect myself to the artist savvy enough to digitize himself … [Read more...]