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Festival International de Jazz de Montreal 2016: Nir Felder Has Some New Stuff

Anthony Dean-Harris
Editor-in-Chief
anthony.deanharris@nextbop.com / @i_ADH

I learned long ago from my mother that if you can help it, don't work on your birthday. There are some who don't exactly hold that sentiment. Bassist Orlando le Flemming's birthday was yesterday, July 7, but he still put in work backing guitarist Nir Felder for his sets at l'Astral. Alongside drummer Jimmy Macbride, the three played two sets mostly of new material with a few selections from Felder's latest album, 2014's Golden Age.

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Festival International de Jazz de Montreal 2016: Bilal, the Sexy Survey Course

Anthony Dean-Harris
Editor-in-Chief
anthony.deanharris@nextbop.com / @i_ADH

Bilal brings it, but he always had. His Wednesday, July 6th set at Club Soda as part of the Montreal International Jazz Festival didn't have the Patti Labelle-esque rolling on the ground like his recent BET Awards tribute performance to Prince, but he didn't need to, because Bilal always brings it.

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Gregorie Maret - 'Wanted'

Anthony Dean-Harris
Editor-in-Chief
anthony.deanharris@nextbop.com / @i_ADH

Taking the lead on harmonica is tricky. The instrument is prone to a chirpiness that doesn't typically sustain for a whole album. However in the right hands (and with the right lungs), it can be more than a special featured player. Grégorie Maret has often been that special featured player in assorted works, but here on his latest album on Sunnyside, Wanted, his second in front of things, it's clear he should lead more often.

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Warren Wolf - 'Convergence'

Anthony Dean-Harris
Editor-in-Chief
anthony.deanharris@nextbop.com / @i_ADH

For years, I have known a certain truth-- don't sleep on Warren Wolf. the master vibraphonist has snuck up on me one too many times on releases of his own. He rolled through San Antonio three times in 2015 and never failed to impress. His work with Christian Scott aTunde Adjuah's large ensemble is a surprise and not a surprise at the same time. He has maintained a beautiful melodicism in his playing that would seem obvious for his instrument but he surpasses such expectations again and again. He's an unmistakable talent. He shouldn't be slept on. This is no more apparent than in his latest album, Convergence on Mack Avenue.

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How I'll Continue

Anthony Dean-Harris
Editor-in-Chief
anthony.deanharris@nextbop.com / @i_ADH

I must preface this piece with the statement that I'm not quitting. I'll be covering the last few days of this year's Montreal Jazz Festival for the first time. I am booking at least two more shows in San Antonio, Texas, under the banner of Nextbop by the end of the year. I still intend to throw the annual Jazz for the Masses day party in Austin, Texas, during the South by SouthWest Music Festival next March. I am still the host of KRTU San Antonio's The Line-Up and still love doing that show dearly every week. I burrowed my way into this jazz world and I don't see a way for me out of it, for better or for worse. I'm not quitting. However, if anyone who pays attention to Nextbop may have noticed, it's clear our output here has been diminished over the last few years.